I am incredibly excited to announce that I have been recognized as a Book Excellence Award Winner for my book, "PINTO! Based Upon the True Story of the Longest Horseback Ride in History" in the Animal/Pets Category.
Out of hundreds of books that were entered into the Book Excellence Awards competition, my book was selected for its high quality writing, design and overall market appeal.
The book was released on Oct. 15, 2019 and is about an incredible 20,300 mile horseback ride over the course of three years. It was undertaken from 1912 to 1915 by four men from Washington State. They called themselves the Overland Westerners. Their goal was to gain fame and fortune by riding to every state capital and ending up at the San Francisco World's fair. They wore out seventeen horses on this journey but one horse made it the whole way...PINTO! So, Pinto tells the story from his point of view.
The book is perfect for anyone who loves horse stories ala "Black Beauty" and history. Perfect for ages 9 to adult.
In December I attended the Equus Film and Arts Festival at the Kentucky Horse park in Lexington, KY. My new book, "PINTO!" was a literary award recipient. Besides the lovely medal and trophy that I was given to honor the book, I was also given a Breyer horse statue of "Latigo Dun It."
Latigo Dun It, better known as "Hollywood," is a magnificent Quarter Horse stallion owned and exhibited by Charro artist Tomas Garcilazo. He has recently been immortalized by Breyer with his own statue.
Tomas' considerable talent as a horseman and Hollywood's beauty made it to the national stage when Hollywood made his debut at the National Finals Rodeo in Las Vegas in 2007. Hollywood was five at the time. Since then, they have performed all around the USA, Canada and Mexico. Their performances include rope tricks, reining maneuvers, and traditional Charro Horsemanship. Their performances are often accompanied by loud music, laser shows, and even fireworks.
A Charro is a Mexican horseman or cowboy. Tomas often appears in traditional dress: an embellished sombrero paired with embroidered pants and jacket, accented with a colorful necktie. Charro's traditionally compete in events similar to American rodeos.
I think Breyer should make Pinto into a statue, too!
Tuesday, December 3, 2019
I am excited to attend the 2019 Equus Film and Arts festival. It will be held at the Kentucky Horse Park from December 5th through the 8th. Authors, artists and filmmakers who focus on the horse as their subject matter will be presenting their works. Lisa Diersen, Diana De Rosa, Carly Kade and Candace Wade have been in charge of getting all of us on the same page as we prepare to come and present our work. I will be presenting my new book: "PINTO!" as well as speaking on two author panels. The first will be on Friday where I will be speaking about turning your book into a screenplay. The second panel will be on Sunday when I will be speaking about researching for your novel.
The longest horseback ride in history has lain forgotten for over one hundred years. My new book is changing all that! "PINTO!-Based Upon the True Story of the Longest Horseback Ride In History," was released on October 15, 2019.
But the real story began on May 1, 1912 when four men from Bainbridge Island, WA left on a journey that would cover 20,300 miles and take over three years, ending at the San Francisco World's Fair on June 1, 1915. They visited every state capital in the union. Their objective was fame and fortune. The result? Obscurity. Sadly, no one cared.
Over the course of the three years, the Overland Westerners, as they called themselves, went through seventeen horses. Only one horse made it the whole way. You guessed it! PINTO! This little, fifteen hand, morab completed the entire journey. So, I decided that he deserved to tell the story. After over two years of research, reading the men's journals and old newspaper articles, and visiting both the Bainbridge Island History Museum and the Oklahoma City National Cowboy and Western Museum, I put the story into Pinto's words.
This is a picture of Pinto and the leader of the Overland Westerners, George Beck.
This is a picture of the Overland Westerners in front of the Colorado State Capitol, December 1914.
In my fantasy series, "The Mist Trilogy," I made up a story about the noble and great horses who are chosen to be unicorns when they die.
I now have sent a second "noble and great" horse to Celestia, the unicorn kingdom in the afterlife.
On Sunday, Oct. 15th, my beautiful Kit left this earth life. Kit was an amazing horse that I had the privilege of owning for twenty-two years. He was almost twenty-nine when he died which is old for a thoroughbred. His health was not great. He had already lived through a surgery to remove a tumor around his optic nerve. He also had to have daily medication for cushings. Cushings is a common desease in older horses though it has been diagnosed on rare occasions in younger horses. The symptoms include: 1. Excessive thirst and urination. Normally, a horse drinks 5 to 8 gallons of water a day. A horse with cushings drinks 20 gallons of water a day. 2. His coat gets long and doesn't shed in the summer. 3. He looses muscle tone and weight and his eyes get dull. They often develop a hay belly.
Your vet can do a blood test to determine if your horse has cushings. It can not be cured but can be managed with medication. I was giving Kit daily Prascend pills by hand. They made a world of difference.
However, even with the best of care that I was giving Kit, I can't stop time.
Kit was the leader of my band of horses at my house. Yet he was always the gentleman. The other horses respected him and deferred to him but he was never unkind to any of them. I called him my "benevolent dictator!"
Kit was the RMDS Dressage Champion at First Level and First Level Freestyle. He was also the cover boy for all my trail guide books titled: "Riding Colorado." I bought him as an untrained six year old and trained him to compete in Dressage and ride the trails in the Colorado mountains. We shared some amazing adventures together.
I am so grateful that I had the privileged of owning and loving this amazing horse.
Here is a beautiful poem that a friend sent to me. Maybe it will make you feel better if you've lost a horse, too.
Don't Cry For The Horses by Brenda Riley-Seymore
Don't cry for the horses that life has set free. A million white horses, forever to be. Don't cry for the horses now in God's hands. As they dance and prance to a heavenly band.
They were ours as a gift, but never to keep As they close their eyes, forever to sleep. Their spirits unbound, forever to fly. A million white horses, against the blue sky.
Look up into Heaven. You will see them above. The horse we lost, the horse we loved. Manes and tails flying, they gallop through time. They were never yours, they were never mine.
Don't cry for the horses, they will be back someday. When our time has come, they will show us the way. Do you hear that soft nicker close to your ear? Don't cry for the horses, love the ones that are here.
If you would like an autographed copy of "The Mist Trilogy," go to the website:
www.dancinghorsepress.com
The series is also available in print and ebook wherever books are sold.
Congress has finally done something good! On July 25th, the U.S. House of representatives passed an act designed to prevent all Soring methods.
Soring is the cruel, inhumane practice of inflicting pain to a horse's front limbs by applying caustic chemicals such as mustard oil or kerosene to their pasterns and then they wrap chains around the sores. Or, these evil people insert sharp objects into their hooves to get them to lift their front hooves high to avoid the pain. This is done in the Tennessee Walking, Racking and Spotted Saddle Horse world.
It is an evil practice and I find it hard to believe that anyone would do such a thing but it is quite common, believe it or not. It is ridiculous that the federal government has to get involved to stop it. You'd think that people's own sense of right and wrong would stop it!
I compete in dressage. In my world, our goal is to develop the natural, beautiful gates of a horse with the minimum of interference by the tack or rider. I look at that top picture, at the UNnatual movement of that horse and I am sickened. They call that high lift, the "Big Lick." All I see is big pain.
Last November, two of my books were honored in New York City, by the Equus Film Festival. While at the awards ceremony, I met the director of a short called "Awesome Gal," that is a story about a horse that escapes from his cruel owners who were using soring on her. If you get a chance to see the movie, do so! Here is their FB link: www.facebook.com/chancesawesomegal
I have a lovely new little (15.1 hands) horse named Amara. She is an American Warmblood.
She is training at first and second level in Dressage, but I am also getting her out of the arena and introducing her to trails. She has a lovely, forward trot and as we move from first level to second level, I have to sit that trot. I found this great article in Dressage Today I like the emphasis on not just following the trot (which may be your goal to start with,) but learning to influence the trot. Enjoy!
Learning to sit the trot effectively and to appear relaxed and in harmony with the horse is perhaps one of the biggest challenges in the world of dressage. Many of today’s dressage horses have big, bouncy trots that can be daunting for even experienced riders with supple seats. It is, however, very important that every rider develop her ability to sit the trot in order to influence the horse effectively during the trot work. So think of sitting trot as proactive rather than reactive.
An open angle between the hip and thigh also will lead to the softly draped long leg that is advantageous in many ways. In this position, the rider is correctly balanced and properly aligned to ride the sitting trot. (Photo by Amy K. Dragoo)
The first step a rider must accomplish is the correct position in the saddle. You want a tall, correctly aligned body position, a supple waist and strong abdominal muscles. The upper body must be very straight and placed directly over the hips. A viewer should be able to draw a straight line from the rider’s ear through the shoulder and hip to the heel, and that line should be exactly perpendicular to the ground.
The pelvis should be centered in the deepest part of the saddle and balanced between the two seat bones and the pubic bone. (If too much weight is placed on the seat bones, the rider will be behind the motion and behind the vertical with her upper body; if too much weight is placed on the pubic bone, the rider will be perched on her crotch and tipped forward.) Sit as tall as possible. While lightly balanced on the seat bones and pubic bone. Your back should be close to flat and your head carried over nicely squared shoulders and a raised an open chest.
Once the seat is balanced, the rider needs to open the angle between the hip and thigh allowing the legs to drop down almost vertically from the hip. It is the open angle between the hip and thigh that will enable the rider to use her hips to influence the trot. This open angle also will lead to the softly draped long leg that is advantageous in many ways. In this position, the rider is correctly balanced and properly aligned to ride the sitting trot.
To ride the sitting trot, the rider must make her waist supple—not loose and floppy, but elastic and supple. The very slight pelvic motion involves pushing the pelvis down and toward the hands through relaxation of the waist and abdominal muscles. The timing of the motion is critical—the rider must straighten as the horse begins the stride and then push down and slightly forward just before the completion of the stride. In this way, you can “bounce” the next stride with your seat, just by allowing yourself to relax down into the saddle.
You can get the feeling of the pelvic motion while dismounted: Stand against a straight wall with your heels, hips and shoulders touching the wall, and your knees slightly bent. Place your hands over your tummy, just below your navel. Using your abdominal muscles, push your back toward the wall—this is the “straightening” phase of the sitting trot. Relax your abdominal muscles toward your hands and allow your back to fall away from the wall—this is the relaxing or “pushing down” phase of the sitting trot. At no time should you grind your seat bones into the saddle to try to sit more “into” the horse—this is uncomfortable for the horse and counter productive.
Once a rider has the timing and strength to follow the motion of the gait, she will be able to change the trot strides wit just a little more emphasis on the pelvic motion—straighter and taller for a shorter, bouncier stride and more down and forward for lengthening the stride. Influencing the trot involves “riding the stride,” rather than going with the motion. The rider must be balanced and poised in the saddle and able to anticipate the stride. When this is done correctly, she is very slightly ahead of the motion of the trot, and by being slightly ahead, has a good opportunity to influence the size and shape of the next stride. So, rather than following the motion of the trot, a rider can lead the motion of the trot, thereby staying in balance and harmony with the horse.
